How to Pronounce the French X

Generally, the letter x is used in one of two ways in French: by itself or in combination with c (xc). X: Soft Pronunciation The x is pronounced like the x in the English word fix [ks] in two locations: 1) in front of a  consonant  or 2) at the end of a word or syllable.  Listen   Examples: the letter xune experience experience, experimentla taxe tax Exception:  The x at the end of French  numbers such as  six  and  dix  is pronounced like an S. X: Hard Pronunciation Between two vowels in two different syllables, the x is pronounced [gz] as in exit. ListenException:  The x in  xà ©rà ¨s  is pronounced [gz]. Examples:   le xylophone xylophoneexact exact, correct Liaison  or  Enchaà ®nement In  pronunciations that involve  liaison  or  enchaà ®nement, x is pronounced like a z. XC: Soft Pronunciation In front of a  soft vowel xc is pronounced [ks], like the soft x  pronunciation in which the c is essentially silent. Listen to  excentrà ©. Examples: excellent excellentexcentrà © outlying XC: Hard Pronunciation In front of a hard vowel or a  consonant,  xc is pronounced [ksk], like the soft x plus a hard c. Essentially, they are pronounced individually according to their traditional rules. Listen to  express.   Examples:   excusez-moi excuse meexclamation exclamationexpress espresso

Nietzsches Explaination on the Three Types of History

Nietzsche had an interesting view of history; he saw it as a necessity for men but that we also need to forget it. He saw history as a service to life and that the necessity of history is for man to be a historical being. However, Nietzsche also saw too much history as being detrimental and creates a generation of cynical people. He used the term â€Å"inwardness† defined as man’s â€Å"chaotic inner world† filled with â€Å"knowledge, taken in excess without hunger, even contrary to need† that â€Å"no longer acts as a transforming motive impelling to action and remains hidden† (Nietzsche 24). Nietzsche believed that history should be a balanced contemplation between historical and unhistorical to preserve life. He writes in his scholarship On the Advantage and Disadvantage of History for Life that â€Å"the unhistorical and historical are equally necessary for the health of an individual, a people and a culture† (10). Within the historical, Nietzsche named the three types the monumental, antiquarian and the critical. Nietzsche approaches history as monumental, which is examining the past to inspire greatness for present and future actions. Monumental history examines the past to use it as a teacher or model for future greatness. The monumental history is concerned with the greatest moments in history of humanity and uses it as leverage to emulate or surpass those historical moments. This kind of history attempts to emulate the greatness of the past but Nietzsche is skeptical of this idea by

Architectural Appeal of the State Library -myassignmenthelp.com

Question: Discuss about theArchitectural Appeal of the State Library. Answer: Relooking the Architectural appeal of the State Library of Victoria The modern architectural style has its origin from the ancient European architecture. Notably, majority of landmark buildings in Europe and Australia greatly exemplify the ordered and systematic architectural styles and principles from the ancient Europe. In fact, the State Library of Victoria in Melbourne is one such notorious example. Built in 1854 with an estimated budget of $ 86.7million, the building has served many and its being viewed as a status symbol of the ancient European civilization. It has startling features that warrants the building iconic as far as European architecture is concerned. From its doors, passages, windows and figures, there are great lessons that the modern architects can learn and perhaps adopt in the establishment of future iconic buildings. Bergdoll (2000, pg 43) opines that the conviction that the monumental public buildings and urban spaces might sponsor a renewal of civic life is one of the most lasting legacies of the intense involvement of enlightened thought with architecture . This statement is true bearing in mind that numerous architectural stylistic features have been borrowed from these ancient buildings. The building follows the principles of symmetry. Notably, symmetry is often used to create harmony and embed structural repetitions in the structure as a way to simplify the architectural design while ensuring building serve the intended purpose. The library can arbitrarily be divided into halves from the front side. Notably, this was often a characteristic feature in the ancient buildings so that design costs could be saved and ensured faster production of the drawings. Besides, the generous use of space reveals a common feature to the modern architects. In the readings rooms, for example, the dome shape perhaps symbolizes the spirit of collectiveness that bears the cultural significance in the said era (Evans 1978, pg 70). Therefore, in conclusion, architects are often encouraged to leverage on these ancient buildings as they house a wealth of architectural wherewithal. References Bergdoll, Barry. European Architecture 1750-1890, edited by Bergdoll, Barry. London. pg 43, Oxford University Press, 2000. Accessed from: file:///E:/Bergdoll_What%20is%20Enlightenment.pdf Evans, Robin. Translations from Drawing to Building, edited by Evans, Robin. Pg 70, 1978. Accessed from: https://careerdiscovery.gsd.harvard.edu/wp-content/uploads/2016/06/evans-figures-doors-and-passages-1.pdf